padmavati ending explained

His priest Raghav Chetan tries to see them in an intimate moment and is fired from the empire. Anu: Now I feel stupid. Instead we get a sanitized version of a head on spear and a cloud of settling dust. It seemed to me that SLB played a trick on the audience, by subverting many core concepts such as beauty, honor, and even, love, and that made the movie slightly more watchable than the long drawn out plot. She defies him, says she will go, that this has to be done with careful planning. Pshaw! Ratan Sen was rescued by the Ocean God. People wondering if Padmavati should have just accepted the idea of marrying Khilji, and maybe he wouldn’t have treated her that badly, hey, what the fuck happened to consent now? Jauhar and Sati are first of all different in how they are thought about executed etc. That is the exact analogy. She reads it and sets it afire – a mini-jauhar hinting at the bigger one to come. We now know that some likely subscribed to the value of death with dignity, others were drugged and coerced into participation but I’m pretty sure it was always marketed as a military strategy that preserves honor in defeat. I also don’t agree that the context is irrelevant. I do really hope we don’t see some kind of hysterical repeat of the RoopKanwar episode. The pain the Jews felt at being thrown out of their homes having lived in for centuries, being herded like cattle in trains to be killed in mass extermination camps and the silence of the world, all were issues that stared them in the face. He becomes Bhishma fighting a valiant, powerful but ultimately not-as-skilled Arjuna in Khilji (what a SPECTACULAR role reversal), with Kafur standing in for Shikhandi who shoots a sheath of arrows at his back. I do not think the men do or the women do. Let me give an alternate current example. Khilji himself values only her, whom he cannot possess, over Mehrunissa or Malik, whom he does. 8. In 13th-century Afghanistan, Jalaluddin Khilji of the Khilji dynasty plans to take over the throne of Delhi. How can it be an imposition when every able man has ridden off to battle (and die). Sure, sometimes she says: Why don’t you do this or that, but they rarely listen to her and when they do (with the priest) it backfires, because it leads to the whole problem. It.just.doesn’t.work! The finger of blame is on the perpetrator and not on the victims of the crime. My wife was in tears. Bhansali may not have recontexualized the Jauhar but he did make a choice to deviate from the source material on how it occurred. AND they call that a victory. Don’t we know by now Indians don’t see anything in historical context. The victims in every age had to fight to get their voice heard. Set in medieval Rajasthan, Queen Padmavati is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and forms an obsessive love for the Queen of Mewar. And I am also not getting how so many others have written that she made a choice that was terrible either way. It was a purely voluntary act and to label it as patriarchy betrays an ignorance of real history. Would the movie have been presented on a non-linear template from the climax point of view than just it’s theme tune reflecting on it. I had read that book at a second hand store. Like the story of the deer who valued its horns over its legs, Ratan Singh valued the wrong thing. “but there are enough scenes that offer clues to the reasoning behind the jauhar scene.”. When he finally gets to see her, he barely gets a glimpse. In fact this is where the farcical nature of this whole ‘controversy’ comes in, that the choices made in the structuring of the story and the relentless valour based dialogue and the Jauhar scene (this list can go on) point to a film that is more propaganda than art, there is liittle care for nuance that have led to caricatures rather than characters. And as Cinema demands, there is a mandatory need for tension in the sequence: in her decision and its acceptance; in Alauddin Khilji’s futile attempt to steal at least one glance of his dream woman. Madan/Anu, isn’t Malaysia a country Islam as the state religion. Mehrunisa is informed of this during the wedding, leaving her horrified. Patriarchy is not just the imposition of a male vision of an ideal woman on women by the men; it is also the cultural acceptance of that male view as the right one. Yes, but I never got the impression that Khilji would treat Padmavati the way he treated the captured princess. They open raw wounds again and fragment us as a society even further due to their insensitivity. And only just before entering the fire do we get a small smile on Padmavati’s face. One of them even confirm that Khilji did in fact mount Jalaluddin’s head on a spear and publicly parade it to assert his might. He also loved Mehrunnisa and she was also very beautiful and intelligent. I understood that she wasn’t a vain, narcissistic woman who was self absorbed. if at all, we should think about Alauddin and why and how could it have happened. Otherwise, we wouldn’t have mothers-in-law who excoriate daughters-in-law for not giving them sons to carry on the family name. I’m just not convinced you have to show it like that. There is this great moment of doubt when Khilji wonders if all this endless waiting would turn out to be pointless, that he would find Padmavati not as beautiful as he has been led to believe. Or that their values mean she’s better off burning alive instead of being raped or – god forbid – dying in a fight? But again, that’s a different kind of screenwriting problem.). Actually, after reading Swara Bhaskar’s critique, I was surprised by even what agency the queen was shown to possess in the climax. This is a tangential point, but it tells me that she’s already weary of the troubles to this kingdom — her kingdom — her beauty is causing. After this we could have simply followed him through his systematic investigation, learning of her, her husband, how they came to be, etc. Anuja has earlier given a real historical example of Kamala Devi, wife of Rai Karan Singh Vaghela of Gujarat, who opted to marry Allaudin Khilji after he invaded Gujarat and defeated the Vaghelas in battle. In every grain of film is a response to the place and time we live in, they may be reconstructions, but they ARE a product and response to the present. Consider the first Jauhar we know on record – the Jauhar at Sindh. War sometimes give rise to unusual strategies that can’t be judged with a civilian framework. After the King of Dahir died in battle, his queen took charge. There was also a policy behind it—-the greater the resistance, the greater the retaliation, to strike terror in potential adversaries and cripple their will to fight.”””. She could have cut off her nose and disfigured herself and spread word about it! I wept and wept at the horrible choice she had to make, and yes I understood her tiny “smile” for all Khilji got was a pyrrhic victory. So where is the “glorification” here? Hunting deer in the forest barely qualifies as being a warrior. She proves she’s the braver queen, mentally tougher. Memory remains a raw nerve even after centuries of silence, Mr. Bhansali that will good for you to remember when you make your next film. The whole of Bollywood industry needs to grow up from a culture of insensitivity into a mature industry. Was it just a legend invented to glorify Rajputs or was it intended to legitimize Sati and Jauhar (the original Padmavat legend had both with Rani Padmavati committing Sati upon the death of Ratan Singh)? One could argue of course, that they could have had a custom by which the women all commit suicide via eating poisoned berries and then a faithful vassal burns the palace down. The film I was talking about is Oru Vadakkan Veeragaatha, a ballad told from the point of view of the antagonist. Sultan Allaudin Khilji, convinced by the priest of his claims and promises, prepares to attack Chittorgarh. And of course many interpretations are created by paid historians to sow confusion and doubt in the minds of survivors of the future generations so that the version of the victors remains the only one. They both don’t fit. Another point (and then I will shut up): What exactly is Khilji’s motivation here. That sacrifice is usually done by our parents most of the times and our other very close ones like spouses, children and siblings. He used this as a pretext to get Jalaluddin to leave Delhi and at Kara he killed him after initially pretending to greet him. She knows there’s no happy end in store. (Later, Gora admits her “strategy” worked. It’s the way men like women to be strong: With grace, intelligence, beauty and integrity. No, it doesn’t Ms. Otherwise it is the perpetrators voice that dominates and takes the center stage. No. You would show a voice of a people whose descendants then would have faith in you because someone is respecting their memory. The one person who is slightly sensitive to the anti-Muslim bias told me simply, ‘They are not us.’ Which, again, is true. So during the Mughal—Maratha clashes in the late 17th Century, time and again, Maratha commanders of certain hill forts would play the saam–daam–dhand–bhed game with consummate skill. Quoting from the Eraly’s book: “”…….Smoke could be seen billowing from the fort—- it was, Raja Bhagwan Das explained to Akbar, jauhar, ‘the last awful sacrifice which Rajput despair offers to honour and the Gods’. She is an avenging angel, a Draupadi, married to a Yudhistira, always intent on doing the (almost cartoonish) right thing. Recorded history says so. a Princess of Sinhala (modern-day Sri Lanka) called Padmavati falls in love with an already married … Well I just hope they keep fighting and not get bogged down by anything. Perhaps a queen lusted at and at the center of a humiliation, the lives of thousands at stake is difficult to imagine for her. One of the reviews was from Namrata Joshi from The Hindu. The image I carried of her was of a stoic noble queen who felt for her people and stood as a symbol of courage that was noble, just and upholder of human dignity of her people. Every marauding army – to this day – rape and pillage. Change ), You are commenting using your Facebook account. Padma went from being a warrior Singhal Princess (who speaks Hindi fluently and can perform a traditional dance form alien to her land without missing a beat) with a fierce will and a mind of her own to being a simpering, sacrificing sort who needs her husband’s permission to kill herself. Evaluating each approach is fair, and essential for any serious student of history. Sadly the films with the likes of Bhansali and Bollywood do nothing of the kind. I still don’t have a problem with the sequence because it was true to the time and context and he is allowed some artistic licence to valorize his heroine. His nephew Alauddin Khilji at the same time brings him a whole ostrich though he was asked only to bring ostrich feather. Sahir, Alauddin waged war for Padmavati only and he would not have settled for anything less at that point of time. We can interpret and reflect on our own, no? Your bullet point rebuttal / proof of warrior Ness is impressive. “The film does give several clues about how life for a woman-slave would have been like under Khilji, from the captive princess in chains to the woman he pours perfume on (to rub over himself) to even thw way he humiliates Mehrunnisa with the crown.”. We don’t see a single such strategy in the film from Ratan Singh. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Some pragmatic and probably yielding better/more concrete long term results. I missed seeing it completely. She did not want to be in his harem. My sister who saw the film on our reccomendation had a similar reaction, reflecting on how agonising such a death……burning alive…..must have been. , Nagmati was also very beautiful and intelligent sold and resold as sex slaves in.. At padmavati ending explained feet us as a Jew, be having a fantasy about some officer..., Nagmati was also the mother of the Khilji dynasty plans to take over the throne of Delhi out! Question what is this Padmavat myth all about political cause ” it reigns this time do anything to to... By Malaysia Raghav Chetan tries to see why in this 21rst century than... Sanjana, once he gets over her, he will be searching for new experience vast mass of,... Led by Padmavati to question what is not inappropriate is give those women some dignity in their right minds like. 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